Saturday, October 17, 2009

Films: Polanski and Chinatown


"Chinatown" (1974) is my all-time favorite feature length movie. Its Richmond premiere was at the Biograph on June 28, 1974. Now with its director Roman Polanski in the news, it's only natural that his masterpiece be reconsidered.

Peter Shilling Jr. has written an excellent and timely piece about "Chinatown," as viewed through a 35-years-later prism.
Some want [Polanski] in the electric chair. Others want him in the director's chair, back home in Hollywood.
But I'll tell you this: it's all there in Chinatown. This is the great movie about Los Angeles, the greatest reflection of that city and the closest in mood to the novels of L.A.'s great writer, Raymond Chandler. Chinatown is about the menace that burns bright in the Southern California sunshine, about the undertow that pulls bathing beauties to their deaths, and makes every man, woman, and child who soaks up the sun complicit in every crime committed within its borders. It's the city that people ran to in order to escape atrocities--like Auschwitz--only to discover that sometimes Hell is a sunny place with palm trees lining the streets like a firing squad. If you want to go deep into the Polanski's life, watch Chinatown.
Click here to read the rest of the article.

And, once the award-winning director of other respected films such as "Knife in the Water," "Repulsion," "Rosemary's Baby," "Tess," and "The Pianist," gets hauled back to Los Angeles, it's going to be a media circus to rival O.J.'s trial.

Won't that be fun for the cable news networks?

No, I don't know anything about international law or extradition agreements between Switzerland and America. But one can easily get the sense that Polanski is eventually going to have to face the music in LA for what he did over 30 years ago.

Moreover, it's hard to believe that the end product of this whole process will be anything close to satisfying. No matter what a new judge in LA decides, it's unlikely it will seem much like justice that settles the matter for good, and serves society's interests.

Gladstone's "Justice delayed is justice denied" sticks to this baby like glue.

The culture has changed quite a bit since 1977. "Pretty Baby" and even "Manhattan" wouldn't get made today. Polanski's victim, 45-year-old Samantha Geimer, seems to want no part of punishing him at this point. Some money has apparently changed hands between Geimer and Polanski.

Yet, there's no way a moral society can countenance the sexual abuse of a 13-year-old girl.

Polanski must wish he'd have stayed in France. Now he's trying to finish his current film project from inside the walls of a Swiss jail.

Friday, July 17, 2009

Biograph on Facebook

The Biograph Theatre's ghost has a Facebook group page. The group is called Swordfish. Click here to see the page.

Wednesday, August 20, 2008

softball

1994 was the last season for the Fan District Softball League. That year a longtime Biograph player, Billy Snead, defected to play for Chiocca's, his favorite watering hole.

Snead's old Biograph teammates struck back by announcing they would walk Fan League Hall-of-Famer Billy Snead every time he came to bat in games in which the two teams faced one another. They called their payback strategy F.B.S.

Three games were scheduled and in all three Snead was indeed given a free pass to first base with each at-bat. Chiocca's won all three games, with Billy scoring the winning run all three times. In the finale, he even made the final putout at home plate as Chiocca's catcher.

It made me glad I'd left the team ten years earlier, also to play for another team. And, it was the most failed strategy I've ever seen in sports. The blow-back made Billy look like a hero. That Biograph team's chief conspirators know who they are.

Consequently, I created the piece above, a laminated card with Billy's head mounted on Babe Ruth's body, and I gave them away to the guys who most needed to see them (click on the art to see an enlargement). Later the same concept inspired a F.B.S. T-shirt; I'm told Jack Nicholson has one of them. But that's another story, for another day.

Billy has Leukemia.

Good luck, Billy.

Update: Actually, this episode inspired two T-shirts that I designed for the Biograph softball team. Ernie Brooks sent me this photo from the 2006 Derby Day party, which shows Billy in the second one. We all look forward to the caption being proven to be appropriate once again. (Click on the pictures to enlarge them.)
The shot below is one of mine. It's from 1981.
With three of his old Biograph teammates I visited Billy today (Sat., Aug. 23) at MCV. He was quite himself and we all had a good time. To visit Billy's web site click here.

Update: As of Sept. 26, Billy is in remission. I had a beer with him that Friday in Chiocca's. Happily, his wife and daughters were there, along with several of the regulars. It was a roomful of smiles -- a scene I'm glad I was there to see, firsthand.

*

Update II: After a rough winter, Billy's condition has improved with the warm weather coming in. On Apr. 22 Billy was in Chiocca's and looking much his old self. He will be at the Derby Day reunion on May 2. Call Larry for details (804) 233-2295.

Update III: Billy enjoyed a good summer and is doing fine.

Thursday, July 17, 2008

stories

The photo above documents one of Larry Rohr's rides through the auditorium during a midnight screening of "The Rocky Horror Picture Show." Larry only performed his feat on special occasions, such a anniversaries, etc. This time it was for the night that "Rocky" broke the local record for consecutive weeks that a movie played at the same theater.

The record (I think it was 88 weeks) had been held by "The Sound of Music" at the Willow Lawn in the '60s.

So, at the Biograph we had a little fun by having a ceremony in which we literally broke the "Sound of Music" soundtrack album, the record, as seen below. Bravely, John Porter held the vinyl, as the tuxedoed manager of the repertory cinema wielded the hammer.


Larry's rides always took place during the scene where Meatloaf crashes out of a frozen vault on his motorcycle. "Rocky" went on to play for exactly five years before its run ended. Click on the photos to enlarge them.

-- Photographs by Ernie Brooks

Wednesday, July 09, 2008

Mondo Softball



The video above to below is a promo for a show about softball that ran locally on cable television in 1990. Mondo Softball was hosted by Mutt deVille, the sportswriter for SLANT, a Fan District-based magazine (1985-94).

The 30-second spot spot features brief glimpses of several Fan District Softball Leaguers in the day. They include: Paul Joyce, Boogie Bailey. Dennis Johnson, Jack Richardson (the headfirst slide), and others. There’s even a quick look at Leo Koury, the umpire for the Fan League who left town in a hurry.

Monday, June 23, 2008

films



"Matinee Madcap": Shot in 16mm in and around the Biograph Theatre in 1974, it is a chase-scene-driven, Black & White comedy.



"Biograph 10": News coverage of the Biograph's 1oth anniversary party. "My Dinner with Andre" premiered and Chris Gibbs, who catered the meal featured in the movie, served the same meal to the premiere's audience.

Thursday, May 08, 2008

softball

Derby Day softball reunion on May 3, 2008.

Thursday, March 27, 2008

softball

This year the Derby Day party (the 29th annual reunion) for the Biograph softball team and friends will incorporate into its format a Fan District Softball League reunion, which enlarges the gathering. Which means players and fans associated with any of the league’s teams over the years will be welcome, with a few exceptions (you know who you are).

The event will take place on Saturday May 3rd at the usual place. Contact the event chief Larry Rohr, (804) 233-2295, for more info.

The Fan District Softball League (1975-94) established a Hall of Fame in 1986. The first class was elected by the 12-team league’s designated franchise representatives prior to the annual All-Star game/picnic. To be eligible then one had to have retired. Ten names were selected.

The same rule held true in 1987, but by 1988 a few of those who had been inducted into the Hall had unretired. So, in 1988 it was opened up to anyone who seemed deserving and those already in the Hall got to vote, as well.

For 1989 no one was voted in. In 1990, ‘91 and ‘92 additional names were added. In all, 41 players and two umpires were tapped. The list leans heavily toward those who made significant contributions to the league’s lore in the early years of play.

Those in the FDSL HoF are: Ricardo Adams, Herbie Atkinson, Howard Awad, Boogie Bailey, Yogi Bair, Jay Barrows, Otto Brauer, Ernie Brooks, Hank Brown, Bobby Cassell, Jack Colan, Willie Collins, Dickie deTreville, Jack deTreville, Henry Ford (depicted on the right), Danny Gammon, Donald Greshham, James Jackson, Dennis Johnson (depicted top left as the batter), Mike Kittle, Leo Koury, Jim Letizia, Junie Loving, Tony Martin, Kenny Meyer, Cliff Mowells, Buddy Noble, Randy Noble, Henry Pollard, Artie Probst, Terry Rea, John Richardson, Jerry Robinson, Larry Rohr (depicted above as the pitcher), Billy Snead, Jim Story, Hook Shepherd, Pudy Stallard, Durwood Usry, Jumpy White, Barry Winn, Chuck Wrenn.

Art by F.T. Rea, the illustrations are from the old Sports Fan (1977-81).

Saturday, October 20, 2007

Reunions

This shot of Katey and her father was taken by Ernie Brooks at the 20th anniversary reunion party at Twisters on W. Grace St. (the old location of the Back Door) Feb. 9, 1992.

Saturday, May 05, 2007

softball

This year’s Biograph softball reunion, the 28th annual on Derby Day, took place on a damp and almost chilly afternoon. Most of the time it was misting, rather than actually raining. But with the help of some tents and tarps the group had a place to lay out a headquarters with food tables, etc.No softball game was played and I heard no one say they missed it. It’s not the first time the game has been blown off. It surely won’t be the last.

The old Fan District Softball League’s official Hall of Fame plaque, with the 43 names of those who were inducted into the hall engraved on brass plates, reappeared mysteriously. It had been missing for some time, said to have been stolen by unknown agents, perhaps even some sort of fanatics. It looks a little more beat up than the last time I saw it, but perhaps it has more character now.In the past the piece itself has hung in various bars, including the Cary St. Cafe, Soble’s and Poe’s Pub. Hopefully it will find a new and appropriate home soon.New faces at this year’s get-together included John “Big Daddy” Richardson, Howard Awad and Jack deTreville. Well, maybe it’s a stretch to call those guys’ faces “new.” Let’s just say it was nice to see the concept of expanding the party to include players and friends who were associated with other Fan League teams is picking up steam.The party went much as it usually does, ending with the Kentucky Derby being watched on little battery-powered televisions. Unlike some years, no one got hurt today. Not playing the game has its upside.
Photos: SLANT

Thursday, May 03, 2007

softball

Ernie Brooks has been busy scanning some of his pictures of Derby Day reunion parties. Here are three, all taken in the Track on Cary Street after the softball game. In the early days we used to go there to watch the race. The first (above) shows Ernie, Jay (who had just won the pool) and Branch in 1980 (which was the first Biograph softball reunion). I think that is Saz in the tie. The second shot, also from 1980, shows Terry (me), Jack and Stu and maybe Larry? in the print shirt. What was so funny? Who knows?The third shot of the group was taken in 1985.

Saturday, March 31, 2007

softball

1977's Fan District Softball League commissioners Terry Rea and Chuck Wrenn at the postseason awards picnic at Tony Martin's farm.

Chuck gave me a print of this photo, which I had not seen before, on a recent visit to his home. We had a good time looking at a bunch of slides from 1977 he had just found in a box. Chuck even had some shots of Leo Koury umpiring (click here for more on Koury).

Please allow this 30-year-old image to remind those who need reminding that the Derby Day softball reunion party will happen again this year (on May 5th) at the ballfield behind Thompson School (same as last year) on Forest Hill Avenue from noon until 6 p.m., as per usual. This year marks the 28th time this party has been held on the same afternoon as the Kentucky Derby.
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According to Larry Rohr, this year more emphasis is being put on having Fan Leaguers from other teams -- such as J.W.Rayle, the Back Door, DeTreville, the Bamboo Cafe, etc. -- to come to the party, which will make it more than just a Biograph Theatre softball reunion.

The hope is to build it up to make it an annual get-together for the league's colorful 20 years (1975-94) of players, fans/friends, and for folks who worked/hung out at the theater, itself. To some extent that has been happening in recent years, already.

Larry also says to bring food, drink and a lawn chair. For more info call him at (804) 233-2295.

Sunday, March 25, 2007

films

For the Biograph’s 10th anniversary (Feb. 11, 1982) we booked “My Dinner with Andre,” which had been shot in 16mm by director Louis Malle in Richmond’s Jefferson Hotel. It was the film's Virginia premiere.

The art-house picture depicted a conversation over dinner by two old friends, who discussed their opposing philosophies and their conclusions about life. The food used in the scenes in the movie was provided by local chef/caterer Chris Gibbs. He showed up on the set at the hotel, which was closed and undergoing a major renovation, every morning with a fresh batch of Cornish hens and wild rice to be made to look half-eaten and set before the actors. Several locals appeared in small parts and as extras.

For the film’s premiere party at the Biograph, which also served as a $25-a-head fundraiser for VCU's Anderson Gallery, Gibbs served up the same meal as was displayed and consumed in the movie. It went over like Gangbusters.
Photo by Larry Rohr

Sunday, March 18, 2007

films: "Matinee Madcap"

These three stills are from a 16mm film, Matinee Madcap, which was shot during the same month as the Devil Prank, February of 1974. Film professor Trent Nicholas, then one of the theater’s ushers and later an assistant manager, shared the directing credit with yours truly. The rest of the staff and many friends of the Biograph appeared as players.
The plot, calling for a good deal of slapstick chase-scene footage, set the action in the movie theater, itself. A collage of contemporary music was added by Dave DeWitt in post-production.
Later, when our humble homage to the silent comedies of Charlie Chaplin, Buster Keaton, etc. played in a DeeCee film festival, it received a semi-favorable review from none other than Tom Shales of the Washington Post. This nine-minute, black and white comedy was surely the most-screened short subject in the Biograph's 15-year history.

Update:
Click here to see it at YouTube.

Thursday, August 03, 2006

stories

Without our steady patrons the Biograph would not have happened for long. Amazingly, it lasted 15 years in a town without pity, movie-wise.

In truth, it wouldn't have lasted at all without a loyal cadre of regulars, who were in the place all the time. No such regular was more appreciated for her support than Donna Parker, the blonde in the Christmas card to the right.

For people who go to movies frequently, theaters can be temples, or hideouts, or merely diversions. As businesses, in most situations they rarely seem stable for long. There's always the next crisis. For a repertory cinema the edge was keener.

The Biograph's regulars felt our mood swings, the ups and downs. They knew it was always just hanging by a thread. Then, one day, it wasn't.

Saturday, July 29, 2006

staff: Kimberly Pickle

In 1978 Kimberly Pickle (now Tucker), with her bright smile, was hired during an especially busy summer. Occasionally, due to behind-the-scene business -- feuds between distributors and exhibitors -- the Biograph would get to play first run pictures with considerable commercial potential, so the staff had to expand to deal with the large crowds.

Ordinarily, the independent Biograph was shut out of the running for such product. However, in 1974 the Biograph benefited thusly from a spat between the dominant local theater chain, Neighborhood Theatres, and Paramount. Chinatown and The Conversation, among other titles, opened there as a result.

In 1978 it was United Artists and Neighborhood who were fighting. So, among others, the Biograph got the chance to premiere a Pink Panther picture (I forget which one) and a Burt Reynolds football flick, Semi Tough. As a bonus Kim served from time to time as a part-time cashier through 1982.
(Photo Credit: F. T. Rea)

Friday, July 28, 2006

softball origins

On Saturday, May 6, 2006 another Kentucky Derby Day softball reunion was held. Anyone who ever played on the now defunct team was welcome, plus their families, friends, etc.

Chiefly, the annual get-togethers were set in motion by the initiative of the original Swordfish team’s third baseman, Ernie Brooks, who had left Richmond to resume his graduate studies at Virginia Tech. Brooks corralled enough former players (Swordfish), who had also left the team, to challenge what was then the current Biograph team (then called the Naturals).

Serendipitously, that first reunion/old timers game was played on the first Saturday of May, earlier in the afternoon in which the 1980 Kentucky Derby would be run. (We went to The Track to watch the horse race.) Thus, a tradition was set and it’s been Derby Day ever since. At this time the Biograph Theatre’s softball team was one of the cars, maybe the clown car, attached to the runaway train known as the Fan District Softball League (1975-94).

At this year's reunion a few innings of softball were played in splendid weather without anyone hobbling off the field, or worse -- being carried off. A fine picnic spread was laid out and consumed. Cold beer flowed as the same stories were stretched, again. The horse race was watched on a little battery-powered TV.

Several of the guys at this year’s gathering were teammates of mine in 1976, when I was the manager of the Biograph, a repertory cinema that was located at 814 West Grace Street. It was the first summer of Biograph softball. We called ourselves the Swordfish, after a joke in a Marx Brothers movie. That year we played a schedule that was not set; we challenged other teams, which played in organized leagues (mostly Fan League teams), to play us for a keg of beer.

The Biograph Swordfish won 15 games (that were scheduled and umpired) of the 17 we played that initial season. In spite of having few experienced softball players on a roster, which included two French guys (friends of one of the cinema’s cashiers) -- they had never seen a softball, or baseball -- we probably won half of them by coming from behind in late innings.

Typically, our opponents saw themselves as more experienced and athletically superior, which only made it more fun when they bumbled their way into handing us the victory.

It was uncanny. Every time, those supposedly better teams seemed to be willing to overplay their hands. Now, having played and observed a lot of organized softball, I know that first Swordfish squad was absolutely charmed. Moreover, it was the loosest and luckiest team I’ve ever been associated with, bar none.

The Swordfish's two losses were: the championship game of one of the two tournaments we entered, and the other was played inside the walls of the old state penitentiary.

Located at Belvidere and Spring Streets, the fortress prison loomed over the rocky falls of the James River for nearly 200 years (it was demolished in the early-1990s). As it happened the guy in charge of recreation at the pen frequented J. W. Rayle, a popular bar of the era, located at Pine and Cary. In that bar, during a conversation, he asked me if the Biograph team -- I played outfield and served as the coach -- would consider taking on the prison’s team on a Saturday afternoon.

As it turned out the first date he set up was cancelled, due to something about a small riot.

OK.

A couple of weeks later the Swordfish entered the Big House. To get into the prison yard we had to go through a process, which included a cursory search. As I recall, we had been told to bring nothing in our pockets. Thus, we had our softball equipment and that was it.

As we worked our way through the ancient passageways, sets of bars were unlocked and then locked behind us. Each of us got a stamp on our hands that could only be seen under a special light. Someone asked what would happen if the ink got wiped off, inadvertently, during the game. He was told that was not a good idea.

OK.

The game itself was like all softball games, in ways, and rather unusual in others. The fence in leftfield was the same high brick wall that ran along Belvidere Street. It was only about 225 to 240 feet from home plate. Yet, because of its height, maybe 30 feet, a lot of hard-hit balls caromed off of it. What would have been a routine fly ball on most fields was a home run there. It was a red brick version of Boston’s Green Monster.

The prison team, known as the Raiders, was quite good at launching softballs over that towering brick wall. They seemed to have an unlimited budget for softballs, too. Under the supervision of watchful guards hundreds of other prisoners, seated in stands, cheered for the home team to vanquish the visiting Swordfish.

During a conversation with a couple of my teammates behind the backstop, I referred to the home team as “the prisoners.” Our opponents’ coach stepped toward me. He, like his teammates, had on a typical softball uniform of that era -- it was a maroon and gray polyester affair, with “Raiders” printed across the chest and a number on the back.

In contrast, we just had identical blue hats with a “B” on them. About half of us wore one of two different Biograph T-shirts models.

“Call us the Raiders,” he advised, sternly, as he pointed to a mural on the prison wall that said “Home of the Raiders.”

I realized I’d made a faux pas, right away.

“While we are on the field, we’re not The Prisoners,” he said with conviction, “we’re the Raiders.”

“Raiders,” I said. “Right.”

“All our games are home games,” he deadpanned.

We all laughed, grateful the tension had been broken. He thanked us for being there, for agreeing to play them.

The Raiders won, in a high-scoring affair. Afterward, I was glad we’d met the Raiders. And, I was even more glad to leave that place.

Now, I’m so glad that prison is no longer there. Located in the middle of Richmond, it was a nightmare in so many ways.

It was all part of a sepia-toned softball season so long ago it seems like a dream now. The Biograph teams that followed never saw such raw success, again. Each year that passes, the original Swordfish that show up -- that can show up -- are more glad than ever to see one another on Derby Day.

Saturday, July 15, 2006

stories

The Handbill War: As the Biograph Theatre's manager, when I was busted in 1982 for posting a handbill that promoted a midnight show, it was a bust I deliberately provoked. I wanted to beat The City of Richmond in court. For an amusing account of an incident in that trial, which I won, click here.
By keeping ordinary things like handbills, cohabitation, gambling, and other "victimless" crimes illegal, it means just about anybody can be harassed by the long arm of the law. But it's the ones with the unfashionable attitudes that feel the boot first.
This pen and ink cartoon of mine above was created in 1983 and first published as a handbill posted on utility poles in the commercial sections of the Fan District. Later it ran in SLANT in 1986. The 'toon was part of a five-year campaign, led by yours truly, to fight off the city's anti-handbill laws. Laws that politicians and yard sale promoters routinely ignored, but bands and clubs were getting busted.

For a while the cops left hand-billers alone. Then the busts resumed in late-1984. In 1985, SLANT's first cause was to once again frame the battle with The City in a freedom-of-speech context, while insisting the pop scene depended on flyers being posted in such a way, on the people’s utility poles, to exist.

In 1986 an ad hoc group of Fan District artists and musicians formed to pepper The City with a propaganda campaign. In 1987 the local statutes governing handbill-posting in the public way were changed. Essentially, we won. Freedom of speech prevailed.